Shape Poems


Shape Poems Overview

Poetry is a form of literary art that is designed to convey the experiences, feelings or ideas in a vivid imaginative way. Poetry is characterized by the use of language chosen for its sound and suggestive power and by the use of literary techniques like meter, metaphor and rhyme. Poetry is a beautiful style of expressing the feelings. Rhythm, meter, and metrical patterns are the elements majorly involved in poetry. Poetry is a very sweet way of expressing ones feelings. From Ages Poetry has been taken as a tool to express love to nature, human or god.

Shape Poems:

Concrete poetry, pattern poetry or shape poetry is poetry in which the typographical arrangement of words is as important in conveying the intended effect as the conventional elements of the poem, such as meaning of words, rhythm, and rhyme and so on.

This is a 'shape poem'. Ideally, it should describe the shape it is, and rhyme, but as you can see, this one doesn't. But this has given you the basic idea about “shape poems”.

By selecting a shape, students are learning how to focus their writing on a particular topic. This helps the students in the improvement of their knowledge and produces a good result. In addition, as part of the online tool, students are prompted to brainstorm, write, and revise their poems, thus reinforcing elements of the writing process. Students can also print their finished shape poems, cut and color them, and display them in the classroom or at home.

Western notation had been trying to create this compression for a long time. It fulfills a traditional genre called “shape poetry.” Shape poems, or pattern poems, are poems whose shape refers to their subject: a poem about an altar in the shape of an altar, a poem about an ax in the shape of one, a poem about an umbrella which outlines a raised umbrella. It is an old genre. The earliest shape poem we know of is by the Greek poet Simias of Rhodes, who flourished about 300 B.C. He wrote a poem, in the shape of an ax, “probably meant to be inscribed on a votive copy of the ax with which Epeius made the Wooden Horse, in which the Greeks finally penetrated Troy and ended the war.” And he wrote a famous poem, meant to be written on an egg and in the shape of one. In both poems, you must read first the top line, then the last, then next-to-top, then next-to-last, and so on. The usual pattern of reading, a line at a time, is inverted, so that we become self-conscious about putting the lines together into sensible meaning. And in both poems, the usual inscriptional substrate (papyrus, presumably, for Simias) is discarded in favor of mapping the words onto the actual objects to which they refer. Computer graphics now does such “texture mapping” routinely, wrapping objects, or text, in whatever surface pattern is required.



Example

Consider the following pattern. It is a poem about a tree. Readers have to also note that arrangement of the words in the poem represents a tree. Thus before reading the poem we come to an idea that the poem is all about a tree. The poem describes how a tree grows and extends their branches and gives us happiness. It also tells us the importance of growing a tree and takes care of it regularly.



 

 
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